Visual Archive

Documenting six decades of an American icon

From the coffeehouses of Greenwich Village to the stages of the world, Bob Dylan's visual history captures the evolution of an artist who continuously reinvented himself while remaining unmistakably himself.

1961-1964

The Folk Prophet

Gerde's Folk City, 1961

Photographer: Joe Alper

The 20-year-old Dylan performing at the legendary Greenwich Village club where he was discovered. Harmonica holder around his neck, worn guitar in hand, eyes closed in concentration. This image captures the raw hunger of a young artist on the verge of transforming American music.

The Freewheelin' Sessions, 1963

Photographer: Don Hunstein

Dylan and Suze Rotolo walking arm-in-arm down Jones Street in Greenwich Village. The outtakes from this session became some of the most iconic images in rock history, capturing young love and artistic freedom in the cold New York winter.

March on Washington, 1963

Press Photography

Dylan performing at the Lincoln Memorial steps during the historic civil rights march. Standing beside Joan Baez, his acoustic guitar a weapon of conscience, his presence linked music to social change in a way that would define a generation.

Newport Folk Festival, 1963

Photographer: Jim Marshall

The young folk messiah on the Newport stage, acoustic guitar and harmonica, crowned by the folk establishment. Within two years, this same stage would witness one of the most controversial moments in music history.

1965-1966

Electric Revolution

Newport Goes Electric, 1965

Press Photography

The moment that split folk music in two. Dylan in a leather jacket with a Fender Stratocaster, backed by the Paul Butterfield Blues Band. The audience's reaction - boos mixing with cheers - marked the end of one era and the birth of another.

Highway 61 Sessions, 1965

Photographer: Daniel Kramer

Wild curly hair, Ray-Ban sunglasses, polka-dot shirt - the visual transformation was as radical as the musical one. Daniel Kramer's photographs from this period captured Dylan at his most iconic and confrontational.

Don't Look Back Tour, 1965

Cinematography: D.A. Pennebaker

Behind-the-scenes footage and stills from the legendary documentary. Dylan in hotel rooms, backstage, in limos - the myth-making machine in full operation, revealing and concealing in equal measure.

The Manchester "Judas" Concert, 1966

Audience Photography

Grainy images from the infamous concert where an audience member screamed "Judas!" and Dylan responded by turning to his band and saying "Play it loud." The tension between artist and audience frozen in time.

1967-1974

The Reclusive Years

Big Pink Sessions, 1967

Informal Photography

Rare images from the basement of Big Pink in Woodstock, where Dylan and The Band recorded the legendary Basement Tapes. Bearded, recovering from his motorcycle accident, surrounded by instruments and creative chaos.

Isle of Wight Festival, 1969

Press Photography

Dylan's return to live performance after years of seclusion. White suit, trimmed beard, a more subdued presence than the manic energy of 1966. A quarter million people came to witness the recluse emerge.

Nashville Skyline, 1969

Columbia Records

The album cover that shocked fans: Dylan smiling. The most famously enigmatic artist in rock history looking genuinely happy, country style hat tilted back, a complete departure from the scowling prophet of the '60s.

Blood on the Tracks Era, 1974

Columbia Records

Promotional shots for the comeback album. The curly hair returned, but the eyes told a different story - the pain of his divorce with Sara evident in every frame. Art imitating life at its most raw.

1975-1976

Rolling Thunder Revue

White Face Paint Era

Various Press

Dylan in flowing scarves, wide-brimmed hat, face painted white in commedia dell'arte style. The Rolling Thunder Revue transformed rock concert into traveling circus, and Dylan into a character from his own mythology.

Hurricane Carter Benefit, 1975

Press Photography

Madison Square Garden, flowers in his hat, performing alongside Muhammad Ali and a constellation of stars. Dylan the activist returned, championing the wrongly imprisoned boxer with passion and spectacle.

1988-Present

The Never Ending Tour

Rock and Roll Hall of Fame, 1988

Press Photography

Inducted by Bruce Springsteen, Dylan accepted with characteristic obliqueness. "I learned my trade from Woody Guthrie, but I learned from Robert Johnson." A passing of torches in both directions.

Nobel Prize Reception, 2016

Swedish Academy

Though he didn't attend the ceremony in person, the images of his Nobel Prize represent the ultimate recognition of songwriting as literature. Patti Smith performed in his stead, overcome with emotion.

Modern Tour Photography

Various

Contemporary images show Dylan at the piano now more often than with guitar, his voice evolved into something rawer and more ancient. The Never Ending Tour continues, 3,000+ shows and counting.

The Painter

Exhibition Photography

Dylan's visual art exhibitions have revealed another dimension of his creativity. His paintings and ironwork sculptures, often depicting American landscapes and figures, continue the conversation between word and image.

About This Archive

This visual archive documents the photographic history of Bob Dylan through descriptions and historical context. Original photographs are held by various archives including Columbia Records, Getty Images, and the photographers' estates. For licensing inquiries, please contact the respective rights holders.